| I lived in the 1950s and it was just great. This show presented too many stuff from a 90s leftist perspective. At the outset, however, there is SOME good to be found in this miniseries: the descriptions of the civil rights movement, suburbanization, the beatniks, television, the fall of Cuba to Castro and the rise of rock and roll are quite accurate, even if you can get by the "teens are rebels" slant. That, unfortunately, is all the good to be found in this seemingly endless procession of leftist viewpoints. Having portrayed the usual happy image of the decade, the producers seem willing to declare war on this, and they do. They fling us from the frying pan of rock and roll straight into the fire of total liberalism. The producers' goal is clear from the beginning: to portray the 1950s as a horrible decade where everyone was afraid, where people refused to speak out, and where society hated certain things (i.e. sex) that they didn't want others to do when in fact THEY and all their friends were doing it. The charges that Joe McCarthy created paranoia when there really was no real Communist threat is presented like it always is, even though the Venona Project confirms that there were Soviet spies in the highest branches of the U.S. government who were giving atomic secrets to Stalin. Portrayals of feminism, the birth of the birth control pill and glorification of the Communist idiot Betty Friedan are presented in legthy detail. It doesn't stop there: it gets worse. (...) Hugh Hefner, Alfred Kinsey, Betty Friedan and Julius Rosenberg are presented as the real 1950s icons, NOT Dwight Eisenhower, Jonas Salk, Joseph McCarthy or Guy Mitchell when in fact THEY were the real 1950s icons. Steer completely away from this and instead seek out other resources. I might start working on a 50s documentary to show things the way they REALLY were. |