| Linda Fiorentino plays a prom queen who finds herself working in a nursing home--and something less than satisfied with her life. Paul Newman arrives at the home in shackles, temporarily released from prison because he was feigning a stroke. A notorious bank robber, Newman's character is shrouded in intrigue. Though he's a dangerous character, Fiorentino's character, Carol, starts spending a lot of time alone with him. Carol is a sexy and smart woman. (This is the first of Fiorentino's movies I remember seeing. Sh'es incredibly attractive, and will have to look for her in other movies.) One of Carol's causes for displeasure is her husband, Wayne, played by infrequent star Dermot Mulroney. The plot plays out out very well, though the beginning stumbles a bit. The acting isn't great, though the charismatic and smooth Newman mostly carries the film. While the story at times is inplausible, it's a very watchable and light movie. What I really enjoyed was the aftermath: while the bank caper movie is a bit formula, this incarnation is twisted with life-purpose and satisfaction crisis storylines, and an interesting resolution. The story comes off as a spirise to those who'd take it as cookie-cutter for the genre. The cameara work is great, and the production quality is outstanding. The audio is a little muddy, but fits its genere very well. |